Diane Seusss brilliant follow-up to Four-Legged Girl, a finalist for the Pulitzer Prize for Poetry.Still life with stack of bills phone cord cig butt and freezer-burned DreamsicleStill life with Easter Bunny twenty caged minks and rusty meat grinderStill life with whiskey wooden leg two potpies and a dead parakeetStill life with pork rinds pickled peppers and the Book of RevelationStill life with feeding tube oxygen half-eaten raspberry ZingerStill life with convenience store pecking order shotgun blast to the facefrom American Still LivesStill Life with Two Dead Peacocks and a Girl takes its title from Rembrandts painting, a dark emblem of femininity, violence, and the viewers own troubled gaze. In Diane Seusss new collection, the notion of the still life is shattered and Rembrandts painting is presented across the book in piecesdetails that hide more than they reveal until theyre assembled into a whole. With invention and irreverence, these poems escape gilded frames and overturn traditional representations of gender, class, and luxury. Instead, Seuss invites in the alienated, the washed-up, the ugly, and the freakishthe overlooked many of us who might more often stand in a Walmart parking lot than before the canvases of Pollock, OKeeffe, and Rothko. Rendered with precision and profound empathy, this extraordinary gallery of lives in shards shows us that our memories are local, acute, and unrelenting....
|Title||:||Still Life with Two Dead Peacocks and a Girl|
|Number of Pages||:||120 pages|
|Url Type||:||Home » Still » Still Life with Two Dead Peacocks and a Girl|
Still Life with Two Dead Peacocks and a Girl Reviews
Seuss, in STILL LIFE WITH TWO DEAD PEACOCKS AND A GIRL, dares to attempt the reconciliation of the quotidian and the sublime. That endeavor means the collection is inherently courageous; the fact that it succeeds at such a feat makes it a revelatory one. In ambitious, music-driven lines, Seuss calls forth a mosaic of arts and an array of familiar characters (some better known than others: here you’ll find Emily Dickinson, Heimbach’s Woman Looking at A Table, Juan Sánchez Cotán, the braid of Sylv ...more